Red Giant Instant 4K

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At a Glance Red Giant Software Shooter Suite 13 For filmmakers, syncing audio recorded on location separately from the picture has traditionally been a chore. Camcorders, smartphones, and digital SLRs are all capable of recording sound along with the picture, but as any seasoned video maker will tell you, those microphones produce far from quality results. As fate would have it, a group of smart coders have managed to put their thinking caps on to engineer software that not only rises to these challenges, but is so mind-blowingly easy to use that literally anyone can use it.
red giant instant 4k

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Ultra-HD is coming, sooner than anyone thought. I can now go to my local brick and mortar electronics store and plonk down a couple of grand and bring home an ultra-hd set.

Videographers have had to change their workflows and equipment to match current technology over and over again. This will change over time. Even when that time comes, videographers and editors will need a way to up-convert existing HD — and for that matter older SD archival footage — to 4K. It will convert footage to X , X , x , x , x — which is full apeture 4K, x — which is Academy 4K, x — which is digital cinema native 4K, and x — which is Ultra-HD.

The original, unscaled shot in an Ultra-HD composition. So I tried it out. I took a clip that had been shot at x , put it in After Effects in a x comp, and added it it to the timeline. The first time, I scaled with After Effects.

The second time, I did it with Instant 4K. Here are two stills of the same frame. The first is just with After Effects, the second is with Instant 4K: Shot scaled with just After Effects. Shot scaled with Instant 4K. Look at the reflection of the photographer in the metal ball. The one just scaled in After Effects is softer than the one done in Instant 4K. The Instant 4K looks a little sharper, as well as a touch brighter.

In my opinion, I4K did a better job than After Effects alone. Red Giant has a trial available at their website. I liked the results I got, and I think you will to. Instant 4K is available for both Mac and Windows. Mac users will need at least MAc Os X Windows users need a bit machine, using at least Windows 7. Check out the Shooter Suite here. Until next time, happy cutting. About doddle Articles Doddlenews is the news division of the Digital Production Buzz, a leading online resource for filmmakers, covering news, reviews and tutorials for the video and film industry, along with movie and TV news, and podcasting.

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Ultra-HD is coming, sooner than anyone thought. I can now go to my local brick and mortar electronics store and plonk down a couple of grand and bring home an ultra-hd set. Videographers have had to change their workflows and equipment to match current technology over and over again. This will change over time. Even when that time comes, videographers and editors will need a way to up-convert existing HD — and for that matter older SD archival footage — to 4K. It will convert footage to X , X , x , x , x — which is full apeture 4K, x — which is Academy 4K, x — which is digital cinema native 4K, and x — which is Ultra-HD. The original, unscaled shot in an Ultra-HD composition.

VIDEO: which gives better upscale to 4 k video ‘Red Giant- shooter instant 4k’ or DaVinci Super Scale

Red Giant – Shooter instant 4k: site.lamtsev.ru?v= I am looking best way to transform Full HD Video to 4K which include new. Red Giant Instant 4K quickly upconverts your video into a variety of high resolution formats with outstanding results. Its intelligent algorithms generate new pixels. Crystal-clear HD with one click! Red Giant Instant 4K quickly upconverts your video into a variety of high resolution formats with outstanding results. Its intelligent.

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